A portraitist camera wanders through the fields and forest of Moore State Park absorbing all of its natural frescoes.

A village in southern Spain. On a hot summer afternoon, a woman grabs a rabbit, strokes it, then kills it with her bare hands before skinning it. Her grandchildren witness this rite of death which they will never forget. The streets echo with an ancestral legend which has it that the spirit of a woman with a broken heart prowls at night, so that she will not be forgotten.

It's not until you actually sit down and relive those great ELECTRIFYING '80s year by year that the myriad of memories come flooding back. Trying to work out which was the greatest highlight of the decade is the hardest part, but they're all here. The great Grand Finals, the marks of the decade, the bone jarring stoushes and the Brownlow Medals - one by one, year by year, they're all here, making up the ELECTRIFYING '80s.

A bullfight in the South of France. White foam is flowing into the arena, blurring the view of animals and humans. Tourneur shows young men in the ring with a bull – their gestures are between archaic subjugation and modern dance. Image and sound, foreground and background, on-screen and off-screen combined in a highly artificial and surreal way. Up to the moment when the bull suddenly breaks through the presentation.

A documentary about the inner, unknown world of the brotherhoods, a universe of its own with its own laws, rules, and philosophy far removed from religion, which were (and in many ways still are) foreign to most people, especially the non-Andalusian majority in Spain. It is the only audiovisual document that captures the pivotal moment for the "people at the bottom" when professional bearers (dockworkers, day laborers, and various other wage earners) are being "pushed out" of the brotherhoods and replaced by fellow bearers. From an anthropological perspective, "Costaleros" projects peculiarities of Andalusian culture that are often misinterpreted and misunderstood from the outside.

Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.

Images of horror from Chechnya. Destroyed houses, people fleeing, mutilated bodies, dead children. The 14 episodes, which assemble footage from the first and second Chechen wars, do not seek to explain or comment. They record the war in its raw violence—and they do not allow the viewer to look away. Some of the footage was shot by Tarak Protsuk, a Ukrainian journalist who was killed in Baghdad in April 2003. Nine minutes, fourteen stories: shocking documents from a ravaged country.

Through a meeting of construction craftsmen, Tapiales is a documentary that describes the entire processes of recruitment and construction of a rural house in the southern towns of the state of Merida. It revives the memory of ancient builders.

The Brunaupark buildings in Zurich are about to be demolished as their owner, the Crédit Suisse pension fund, wants to build a new property complex. Hundreds of tenants – the victims of this proposal – are contesting their eviction. Hergert and Zietlow paint a portrait of a lively and resilient neighbourhood forced to confront its destiny.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

An unsung pioneer of 1970s Texas Progressive Country, Steven Fromholz had a knack for snatching defeat from the jaws of victory. Revered by legends like Willie Nelson, Lyle Lovett & John Denver, he remained commercially unknown. He sought redemption on the Rio Grande as a river guide until a debilitating stroke erased his musical memory, stripping Fromholz of his artistic identity. With an almost obsessive persistence bolstered by newly discovered archives as well as never-before-heard recordings, this intimate and impressionistic portrayal unveils the evolution of Fromholz, and reshapes the notion of success and artistic fortitude.