A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.

Tash and Kylene are two Indigenous women with a dream to make it to the Arnolds – an amateur bodybuilding competition being held in Australia for the first time.

A biopic of the legendary Paul Bellini, by Bellini, of Bellini, for Bellini.

Figgy and Collin go back to back, getting buck on bumps and big sets while Dixon and the team jump in to make it a family affair. Don’t blow it, you gotta see THIS.

Andrei, a Moldovan guy, lives just outside Rome together with his mother and 16-year-old sister whom he cares for as a father. His routine involves racing his car, working as a stable hand, and spending evenings with friends. He dreams to become a singer-songwriter, even if the money problems push him into a different direction.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

In my film works the main focus is on impermanence, transience, and ideas of change, shifts and “repositioning”. Landscape and architecture that appear to be solid and permanent is experienced unstable and disorienting. In travelling fields I am particularly interested in the idea of geography and how it can be examined and visually reworked in the dimension of altered time and filmic space.
In this work I continue to work with shifts in perspective and working with the specific qualities it produces in the image. These qualities are results of certain ways of framing and the parallax movements produced by the travelling camera. It includes architectural elements and different ground surfaces in the Murmansk region, Kola Peninsula, Russia.


A former cattle rancher, turned activist, converted her husband's beef operation to a farmed animal sanctuary and endeavors to help others transition from animal ag to become plant-based.

Indigenous ecologies and ways of being are threatened by SpaceX on the Texas Gulf Coast.

Six minutes of dancing and trances, a spontaneous orgiastic performance slowed down and drowned in digital effects and overlays. The music heard off screen is written by Sid Iandovka and is as rhythmic as it is viscous. The movements of bodies and costumes hint at both playful carnivals and mysterious rituals.

The film gives the viewer the opportunity to learn more about the work of mountain rescuers in the Carpathians, and hear the touching and incredible stories of rescuing tourists lost in the mountains and survived.

A reflective essay on living with young onset Parkinson's disease.

The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.