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Buenos Aires, late 1980s. Malena lives a double life: by night, she dances in a cabaret; by day, she answers calls for a phone sex hotline. As the city reels from a string of brutal murders splashed across radio and television broadcasts, fear begins to seep into everyday life.
When three Los Angeles transplants discover that the MiniDV tape containing their drunken shenanigans is missing, they revisit their sins from the night prior in order to recover the secrets they’ve recorded.
What do such classic films as The Third Man, The African Queen, The Misfits and Labyrinth have in common? Present during the filming of all of them was Angela Allen, acting as “continuity” – noting every shot and memorising all the details before her, working closely with the director, crew and actors to achieve a consistent and convincing world in front of the camera. She is one of the last witnesses to a truly golden age of cinema. Angela – who celebrated her 97th birthday in February 2026 – began her career as a 19-year-old on several British films, and then in 1948 was assigned to the second unit in Vienna for Carol Reed’s The Third Man. She subsequently became a regular aide to three great directors in particular, John Huston (with whom she made 14 films), John Frankenheimer and Franco Zeffirelli, as well as working with such diverse filmmakers as Tony Richardson, Ken Russell, Roman Polanski and Sidney Lumet.
Dante was considered vulgar and porn movies are also considered vulgar, so one can draw a connection – and this is what the film tries to do.
With stars of the screen, it is often only the Edgar Morin-like myth that remains; but viewed close up, an actress’s lifetime has more to do with destiny, and in Marina Vlady’s case, that destiny is unclassifiable, with over eighty classic films and more that were never released. It is across France, Italy, and chiefly Russia that this documentary, chock-full of rare archive material, takes us as it traces the journey of a free woman, making this not simply a documentary but a political film.
A classic found-footage film, revealing a story that would otherwise have been lost: the love between Sergio Corbucci and Mirta Guarnaschelli.
In the neon-lit streets of Kolkata, a woman searching for redemption crosses paths with a mysterious bar singer whose past remains hidden. Over the course of a restless day, their lives intertwine with strangers carrying their own conflicts and secrets, until a buried truth changes everything.
Starting from a fragment of wall and a daily ritual, an experiment in the perception of colour. How do light and time construct it?
Bleda y Rosa are one of the most significant Spanish visual artist couples of their generation. They are working on the installation of an out-of-context structure in the middle of the Valencian landscape. Of this entire process, only a single photograph must remain.
A river: the Esla. A region: Tierra de la Reina. A dam and a wildfire, destruction from water and destruction from fire, two ways of losing paradise. A forest saved by a miracle and a valley in danger. Local people who write and a stranger who reads, listens and looks.
An anthology of black humour by Radu Jude and Andrei Rus, revealing the inexhaustibly grotesque energy of TikTok (including in the age of the deepfake).
From Kabbalah to negative theology, from Walter Benjamin to Jacques Derrida, from lightning to thunder, fragments of a witty reflection on the notion of beginning.
In the divided city of Mitrovica, Kosovo, fragments of a diary, everyday gestures and sounds gathered from the city compose an exploration of separation on multiple levels: political, territorial and emotional.
Two women separate. Their memories resurface tirelessly. A portrait of separation seen through the prism of sapphic nostalgia.
The land belongs to those who work it. But what about houses, homes, the place where one can rest and start a family? Image and sound unfold the history of the underlying structures that turn the right to a home into a tool of control, exploitation or dispossession.
Marseille, 2135. Following the disappearance of most terrestrial ecosystems, the Boyuna corporation offers survivors an escape into a world where they can relive dreams of the past alongside extinct animals.