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The happy summer atmosphere on the beach in the downtown area of the Colombian city of Cartagena is rudely disrupted by bulldozers and excavators dumping huge boulders in the surf. The work is to combat the dangers of rising sea levels caused by global climate change. To protect the coastline, this part of the beach will soon have to close: no more sunbeds and parasols, no more jet skis, no more seaside fun and games. But what are the regular visitors, beach vendors and lifeguards supposed to do now?
From the break of dawn until the darkness of night, the *tianguis* is born and dies in the streets of Mexico City. It is during these fleeting hours that we can find an endless array of colors, sounds, and unique personalities.
Follows the complex of hydraulic power plants in North Osetiya.
A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.
In Turkey, buses are a cheap, widespread and therefore the most important means of public transportation throughout the country. What the airplane is in America and the train is in Europe, the intercity bus is in Turkey. The documentary takes a trip through Turkey using the common people's means of transport.
Open a door. Handle a crisis. Write an incident report. At France’s prison officer academy, hundreds of men and women learn to become prison guards. Their words begin to mirror the institution. Their movements sharpen. What once felt uncertain becomes routine. Doubt slowly fades from their faces.
I was invited to film a ritual. One that can be shown to foreigners, to “dried-heads” like me. A child in the village watches Disney’s Fantasia on TV. He is interrupted. What the child lives when he dances? What am I able to see from what is shown to me?
Born in 1943, Sara Gómez studied literature, piano, and Afro-Cuban ethnography before becoming the first female Cuban filmmaker. A woman of great intelligence, independence and generosity, she was a revolutionary filmmaker with intersecting concerns about the Afro-Cuban community and the value of its cultural traditions, women's issues, and the treatment of the marginalized sectors of society.
In the spring of 2022, security guards in Moscow are tense. Under the guise of a film competition on the architecture of the city, Yana Osman and Anton Khamchishkin are permitted, if nothing else, to film the battlements of the Kremlin wall. But how to speak of the attack when you have to say “special military operation”? How to create pictures of resistance when filming any protest is forbidden? By pondering swallows and mathematical catastrophe theory, for example.
A dynamic, emotional film about sports and the fellowship of athletes from different countries, joining their forces in the fight for peace. The film was shot during the Goodwill Games in 1986 in Moscow.