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From the beginning of the Earth to our present moment, this film encounters extraordinary projects and people from four continents, economist Kate Raworth, philosopher Roger Scruton and Gaian ecologist Stephan Harding.
Antonio is 92 years old and lives on his own in Penàguila, a small Spanish village in the Mediterranean mountains. In his old age, he spends his days enjoying the good weather on the patio, doing minimal tasks, and teaching things to younger generations. His old age sets the pace in a village where he has lived all his life and where his past is around him, like the family restaurant or the fields he used to harvest. The arrival of the cold winter will change it all.
EMPOWER is a series of three portraits of sex workers with heterogeneous trajectories crossing paths of migration, Trans identities, feminism, the fight against HIV, the fight against precariousness and discrimination. Interweaving personal journeys, political analysis, and strategies of collective resistance, Aying, Giovanna Murillo Rincon, and Mylène Juste demand for the rights of minorities. Far from the objectification often at work in documentaries, EMPOWER is a tribute to the voices of sex workers through an active collaboration in production with the protagonists.
This is an impressionistic film-portrait about an eccentric coach of track-and-field athletics. His strong nature was formed long time ago during his service at the navy.
Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.
Legal equality is one of the inalienable rights of GDR women.
A poetic investigation into the possibilities of cinema, recovering the truth of the things that are see on the screen and reminding viewers of the persuasive power of the image, that sensitive magma where the dead dance and find their voices again.
Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.
The 8th short film as part of the Magica series dealing with pre-cinema. Fictionalised documentary about Emile Reynau who invented the praxinoscope and its system of central mirrors. He then projects his paper strips into the projection praxinoscope before creating the Théâtre Optique, presented at the Musée Grévin. The perforated strips are fragile and often break. The show is cancelled. Reynaud tries to apply photography to his praxinoscope, but without success. Desperate and ruined, he throws his strips into the Seine. Only two survived.