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Documentary that includes interviews with Singer as well as the rest of the cast - mainly Spacey. There is no "plot" or "promotional" elements to this documentary - all of the information offered is substantial and informative as we are let in on all the details of trying to seek out the right actors for the parts, as well as the thoughts of the actors about joining an independent production helmed by a young director. Part 2 is a more interesting look at the production itself, complete with the problems and obstacles that faced the low-budget feature, as well as the happier memories of the work that the cast and crew went through. There's a lot of discussion of the infamous laughter during the lineup sequence, complete with a few outtakes of the scene.
Es war einmal, vor vielen Jahren, da begab es sich, daß der heute so ruhmreiche FC Bayern zu Beginn der neuen Saison ziemlich miserabel dastand: Der Kaiser war fort, kein neuer Pokal schmückte die Trophäensammlung, und statt Harmonie und vollen Konten drückten Frust und Schulden die Stimmung. Und justament während dieser für den Verein so wichtigen Bundesligarunde 1978/79 konnten die Filmemacher Christian Weisenborn und Michael Wulfes die damals noch aktiven Spieler Paul Breitner und Uli Hoeneß dazu überreden, sich eine Saison lang von ihnen mit der Kamera begleiten zu lassen.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts. A documentary film talking about art and advertising divided in three parts: 1. Crossing Over - from cinema to ads from ads to cinema 2. Humour - How humour affects us in advertising 3. Shock - The way shock is used to sell
An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.
A probing investigation into the lies, greed and corruption surrounding D.C. super-lobbyist Jack Abramoff and his cronies.