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A child leaves home and returns in three IDF boxes, that became my biggest secret. My brother is dead. What if these objects are the only proof he was here? I look for him in a 60liter plastic box, objectifying my brother, humanizing the box.
With the local refinery closing, the town of Grangemouth is thrown into limbo.
Every goodbye is the start of something new.
Yura has an unusual diagnosis: his heartbeat is limited. He avoids even the slightest stress to survive. Until a girl appears who needs constant surges of emotion, adrenaline, and electric shocks to survive.
A grieving young woman struggling to move on after a painful loss finds herself drawn into an unexpected connection that forces both her and the man beside her to confront what it truly means to hold on, let go, and heal.
Due to overpopulation, the internet is collapsing under the weight of IP addresses belonging to deceased people. As a result, a system is introduced to purge and delete their accounts based on official death records. However, one account linked to a registered death shows recent activity, prompting the protagonist to reach out to its owner.
In this accumulating remix of 12 films (commissioned by the state of Western Australia in the 1960s and 70s) in 12 chapters phrases from the film’s original narration have been pulled on to highlight the ideological and material violence of the colonial project — unfolding through the banality of things like roads, railways, mines, agriculture, farming and the weaponisation of things we commonly hold dear, like “community” and “home”.
"Who made the humans? AMBITION ..." An experimental short film by ShubHankar.
Farid Rafaat, who's been struggling with depression, addiction, and unemployment for years. Then he gets a job interview in a big company, but his doubts in himself and what's around him get in the way.
The Sunshine Recorder is a new home therapy device, using artificial inelegance to analyse recordings of dreams.
As the year draws to a close, Zhang Jiansheng, the head of the household, discovers a sum of money he had hidden privately has vanished without a trace. Every member of his family thus becomes a suspect in his eyes. As Zhang Jiansheng keeps searching relentlessly, long-buried secrets and conflicts that have been glossed over for years gradually come to light.
Set in the village of Bazouriye in South Lebanon, 66 Days follows filmmaker Joude Bazzoun’s return to her homeland after witnessing Israel’s 2024 onslaught on Lebanon from abroad. Through intimate conversations with her family, Joude uncovers the losses they have suffered. The film reflects on the importance of memory and tradition by exploring the ritual of a card game and family gatherings. 66 Days quietly resists erasure, preserving the family’s stories and heritage while celebrating the defiant joy found in simple family traditions.